The tiny villages of Haryana state in India’s rural north-west find themselves in an unlikely spotlight these days.
Farmers’ homes in hamlets around the industrial town of Rohtak are suddenly in demand, doubling up as movie sets.
Alongside the mooing of cows, it isn’t unusual to hear a director shouting “lights, camera, action” here.
A new start-up, called STAGE, has spawned a nascent film industry in this hinterland.
“Batta”, a high-octane drama about power and injustice, is just the latest in half-a-dozen movies under production in the area, Vinay Singhal, founder of STAGE , told the BBC on the film’s sets.
“There were just a dozen odd Haryanvi films made in India’s history before we came in. Since 2019, we’ve made more than 200,” says Mr Singhal.
STAGE makes content for largely under-served provincial audiences, keeping hyper-local tastes, dialectical quirks and the rural cultural syntax in mind.
There are 19,500 different dialects in India, and STAGE has identified 18 that are spoken by a large enough population to merit their own film industry.
The app currently offers content in two languages – Rajasthani and Haryanvi. It has three million paying subscribers and is planning to expand and include other dialects like Maithili and Konkani, which are spoken in north-east and coastal-west India, respectively.
“We’re also on the verge of closing a funding round from an American venture capitalist firm to expand into these territories,” says Mr Singhal, who appeared along with his co-founders on the Indian version of Shark Tank, a business reality show, a year ago.
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